, , , , , , , , , ,


Photographers are always chasing that one “special” image, be it the most dramatic landscape lit by the once in a lifetime sunset spectacular, the “killer” Motorsport shot where it all comes together with perfect composition, great motion blur or panning and the jauntiest of angles or that perfectly and meticulously planned and thought out studio shot – we are always after it.

Some of us are lucky to get that image, some of us are not – but nearly all of us are guilty of one thing, and that is buying the latest and greatest camera/lens/flash/or other bit of gear that, if you are to believe the manufacturers, “will make you a better photographer”.

It won’t.

That super fast 1.2 85mm prime you crave for, it won’t make you a better photographer, nor will that new super duper camera body with pixel count off the scale that you are keen to remortgage the house for. None of it will make you a better photographer.

To be a good photographer you have to “see” the picture, look at the way the light falls, look at the shadows, have an understanding of depth of field and to be able to visualise that in the scene you are looking at – photography comes from within.

If you can shoot well then you can take a compelling photo with an iPhone, a compelling photograph comes from inspiration, not from the latest equipment.

The photograph below was taken at my old studio, I was setting up my lights and getting everything ready and the model was just chillin’ in the window frame waiting for me. I turned around and immediately “saw” a picture, my studio lights were pointing the other way, my DSLR had the wrong lens on, so I quickly picked up my trusty X100, (a fixed lens rangefinder type camera) and asked the model to tie her laces on her ballet shoes – I took three images, no flash, just ambient light.

This image is my favourite – it was the models too and it just shows you don’t NEED lots of high end expensive equipment to take a half decent image!

Best – Colin

X100 shoots Ballerina Girl